I, myself, credit their rise to the lack of their brand of ebullient, funny, smart, and sardonic rock music in the indie scene. An argument that has nothing to do, I’m sure, with the fact the band is fronted by two women who perform indie rock, a genre which notoriously male dominated. It’s becoming increasingly difficult to make the case that Wet Leg, the UK duo and recent critical darlings, do not deserve their meteoric rise. Moore said, “and make it sound good.Wet Leg at Brooklyn Steel (photo by Emilio Herce)įour tour stops in NYC, all immediately sold out. Two late night TV performances, most recently on Jimmy Fallon. Those included a balcony whose ends taper to the side walls spacious backstage rooms and a so-called green roof, like the one at Barclays Center, in which sedum growing atop the building help absorb noise. Glancy said of the long wait.īut they were eager to show off the features that they hoped would endear the club to patrons and artists. Moore recounted the four-year process of securing the location and obtaining the necessary permits. I think backstage, how the artist is treated, you’re going to see a different thing.”Īt Brooklyn Steel, Mr. “You’re going to get club security as opposed to concert security. “I can go up to Irving Plaza or Webster Hall right now and you’re not going to get the drink selection at our venues,” he said. Glancy, 55, gave the kind of answer that has always been a part of the sharp-elbowed world of New York club ownership. And when asked what makes their company different from other promoters, Mr. Moore, despite controlling a small empire whose shows, they say, have a combined attendance of two million customers a year, still monitor their club numbers closely. Swier declined to comment on Brooklyn Steel, saying he was not involved. The company also still has a formal working relationship with Michael Swier, the promoter who opened the Mercury Lounge and the Bowery Ballroom - and still owns those clubs - but sold his shares in the Bowery Presents partnerships in 2010. The deal may be complicated by the Bowery Presents’ convoluted ownership structure, which involves numerous partnerships. Whether that plan would change under AEG Live is unclear. This year the company presented Adele for six nights at Madison Square Garden, and this month it is doing 10 shows with Bon Iver at various spots in New York, including five dates at Pioneer Works, a gallery and performance space in Brooklyn.Īdam Voith, the booking agent for Bon Iver, said the recent shows demonstrated the company’s dedication to artists. That plan has largely worked, agents and record executives say, earning Bowery a solid reputation. The Bowery Presents now owns or has working arrangements with 22 clubs and theaters in the Northeast and the South, and acts as a freelance promoter at larger venues.įrom the start, the company has strove to be a conduit for artists as it developed their careers, booking them first in tiny clubs and then earning its payoff once they reached big concert halls. The Bowery Presents was founded in 2004, but the company’s origins trace back to the opening of the Mercury Lounge in 1994 and the Bowery Ballroom four years later. Moore said, “whether because they’re bored, or they think their fans are bored, or any combination of that.” “As touring has become a much bigger piece of the business, bands are more cognizant of wanting to mix it up,” Mr. Moore, 44, keeps a thick black binder of papers listing every concert he has attended, going back to a Heart show in 1978, as a child. At the Bowery Presents’ offices on the Lower East Side, there is more talk about music than deals.
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